Laws of Attraction: Rogowski Shines Bright in Recuperative Queer Prison Drama
Although there’s nary an upside down pink triangle in sight, Austria’s Sebastian Meise cultivates...
France’s Francois Ozon scored one of his most critically acclaimed ventures in years with 2016’s Frantz, which was the auteur’s third time competing in...
The Guest Who’s Coming to Dinner: Ozon’s Period Culture Clash a Handsome, Uninvolving Production
In many ways, Francois Ozon’s output still swings jaggedly between the...