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Animol | 2026 London BFI Film Festival Review
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October 3, 2026
Justine Triet’s ‘Fonda’ – Everything We Know So Far …
August 29, 2026
Nuri Bilge Ceylan’s ‘Yorgun Güneş’ – Everything We Know So Far …
August 22, 2026
Hindsight is 2026…Midway Mark: Nine U.S. Dramatic Titles Have Found Homes!…Now What?
August 20, 2026
Lisandro Alonso’s ‘The Scent of the Pitanga’ – Everything We Know So Far …
August 15, 2026
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2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race
August 26, 2026
2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race
August 25, 2026
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March 16, 2026
Pencils Down: Our 2026 Oscar Predictions!
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Cannes 2011
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Interview: Ruben Ostlund (Play)
Film Festivals
Eric Lavallée
-
September 9, 2011
With the Un Certain Regard selected Involuntary, Swedish helmer Ruben Östlund examined the conflict of the individual within a group, three years later with...
2011 Cannes Critics’ Panel: Pedro Almodovar’s The Skin I Live In Voted Top Film
Film Festivals
Eric Lavallée
-
May 24, 2011
It was shut out by the jury members at this year's festival, but Pedro Almodovar's The Skin I Live In topped call films in...
Inside the 2011 Cannes Film Festival: Tree of Life Wins Palme
Film Festivals
Eric Lavallée
-
May 23, 2011
Thierry Frémaux finally got his wish (to show The Tree of Life) and now, he can return the gift to Malick with the Palme...
Inside the 2011 Cannes Film Festival: Surprise Un Certain Regard Winners
Film Festivals
Eric Lavallée
-
May 22, 2011
The jury comprised of Emir Kusturica and peers caught critics by surprise in selecting a pair of unpopular Croisette items for this year's Un...
Inside the 2011 Cannes Film Festival Day 10: 21 Andrey Zvyagintsev’s Elena
Film Festivals
Eric Lavallée
-
May 21, 2011
Saving the best for last, it was nice to watch a world premiere for a film that had already won an award (the jury,...
Inside the 2011 Cannes Film Festival Day 8: Justin Kurzel’s Snowtown
Film Festivals
Eric Lavallée
-
May 19, 2011
If there is anything especially hopeful in this bleak, off-putting in the queasy kind of way portrait of a serial killer is the assured...
Inside the 2011 Cannes Film Festival Day 7: Joachim Trier’s Oslo, August 31st
Film Festivals
Eric Lavallée
-
May 18, 2011
August 31st took place on May 18th. After soaking it up on the international circuit with 2006's Reprise, Joachim Trier moves from what you...
Inside the 2011 Cannes Film Festival Day 7: Catalin Mitulescu’s Loverboy
Film Festivals
Eric Lavallée
-
May 18, 2011
And the movement known as Romanian New Wave which begin with 2005's The Death of Mr. Lăzărescu is slowly tapering out. With less films...
Inside the 2011 Cannes Film Festival Day 6: Eric Khoo’s Tatsumi
Film Festivals
Eric Lavallée
-
May 17, 2011
After previously presenting Be with Me (2005) and My Magic (2008), for his third film on the Croisette, Eric Khoo brings an homage piece...
Inside the 2011 Cannes Film Festival Day 6: Terrence Malick’s Tree of Life
Film Festivals
Eric Lavallée
-
May 17, 2011
Despite not knowing how the festival will play out, Monday, May the 16th is when the highlight of the 2011 edition premiered and the...
Inside the 2011 Cannes Film Festival Day 5: Kamen Kalev’s The Island
Film Festivals
Eric Lavallée
-
May 16, 2011
In the hands of a budding Spanish filmmaker, we'd have a chilly, atmospheric mood piece, but in the hands of a Bulgarian, well the...
Inside the 2011 Cannes Film Festival Day 4: Liza Johnson’s Return
Film Festivals
Eric Lavallée
-
May 15, 2011
It was the world premiere night in the Directors' Fortnight section for Liza Johnson and her debut feature film, Return. Starring Michel Shannon in...
Inside the 2011 Cannes Film Festival Day 3: Gerardo Naranjo’s Miss Bala
Film Festivals
Eric Lavallée
-
May 13, 2011
In a departure film of sorts for the director who gave us I’m Going To Explode and Drama/Mex, Gerardo Naranjo makes the zone/border that...
Inside the 2011 Cannes Film Festival Day 2: Hagar Ben Asher’s The Slut
Film Festivals
Eric Lavallée
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May 13, 2011
Not sure if the film's title accurately denotes the life choices of our central character here in The Slut, but we get a sense...
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