Life as a House: Trier Turns Broken Hearts Into Art
In Woody Allen’s Interiors (1978), an unhappy tale of three sisters contending with their parents’...
Love on the Brain: Haugerud Caps Trilogy with Teenage Wasteland
With his latest film Dreams (Sex Love) (aka Drømmer), the final installment in his thematic...
Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest Talking Cure Trilogy
Norwegian director Dag Johan Haugerud continues his sexuality-themed film trilogy (Sex/Dreams/Love) in Love,...
Ebba
Sweden-Finn filmmaker (based in Norway) Johanna Pyykkö almost grabs our most anticipated debut feature of the year but we nonetheless look forward to noir...
Handling the Undead (Håndtering av udøde)
A directorial debut that reunites thesps Renate Reinsve and Anders Danielsen Lie for a third occasion, Norwegian helmer Thea...
Sometimes She Loved Them Too: Trier Formulates Winning Composite of Love and Self Discovery
For his fifth film, The Worst Person in the World, Norway’s...
From the Norse’s Mouth: Ovredal Reclaims a Cultural Asset with Unsatisfactory Results
Reclaiming ownership over a reappropriated cultural facet is no easy task, especially when...
The Innocents
Eskil Vogt, the co-writer for Joachim Trier’s films, should have his sophomore directorial effort The Innocents ready for a major film festival in...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.