Tag: Gerald Kerkletz

Rose | 2026 Berlin Intl. Film Festival Review

A Self-Made Man: Schleinzer Explores the Privilege of Pants If there’s a trough line (beyond the eponymous titles) of Austrian director Markus Schleinzer’s films, it’s...

Veni Vidi Vici | 2024 Sundance Film Festival Review

Destroy Everything You Touch: Hoesl & Riemann Come to Conquer with Dark Satire As ABBA once succinctly stated, “Money, money money/Must be funny/In a rich...

Top 200 Most Anticipated Foreign Films of 2023: #169. Daniel Hoesl’s Veni Vidi Vici

Veni Vidi Vici After checking in with the powerful elite with the '20 docu Davos, Daniel Hoesl moved into a screenplay that is not that...

Interview: Markus Schleinzer – Angelo | 2019 New Horizons Intl. Film Festival

Markus Schleinzer’s second feature Angelo (review) has had a long life on the festival circuit, premiering in Toronto (Platform section 2018) and giving wide...

Angelo | 2018 Toronto Intl. Film Festival Review

The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Only the Lonely: Ulrich Seidl Travels to Dark Tourism Places with ‘Distances’

The folks art Cineuropa are giving us a major...

History Repeating Itself: Magnus von Horn Train Hops with Jeremy Strong in ‘The Passenger’

Hopefully at some point it'll lose the over-used, generic...