Destroy Everything You Touch: Hoesl & Riemann Come to Conquer with Dark Satire
As ABBA once succinctly stated, “Money, money money/Must be funny/In a rich...
Markus Schleinzer’s second feature Angelo (review) has had a long life on the festival circuit, premiering in Toronto (Platform section 2018) and giving wide...
The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude
Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...