Tag: Juan Jose Campanella

The Weasels’ Tale [Video Review]

Pop Goes the Remake: Campanella Returns with Ghoulish Remake of Black Comedy In the 2000s, the New Argentine Cinema gained international prominence thanks to a...

The Conversation: 2019 Cannes Film Festival Predictions

For several reasons, the 71st edition of the Cannes Film Festival was something of a slight progression, if at least for the number of...

Top 150 Most Anticipated Foreign Films of 2019: #123. El cuento de las comadrejas – Juan José Campanella

The Weasels (El Cuento de las comadrejas) Argentina’s Juan José Campanella, who oscillates back and forth between television and film, returns with eighth feature The...

The Conversation: Bring Forth Berlin (Possible Contenders for the Competition)

As has been the Berlinale’s custom of years past, several early competition titles have been confirmed along with the 2019 opener, Lone Scherfig’s The...

Nothing But Net; Weinsteins Kick Campanella’s “Underdogs” into August

Some call it table soccer, the majority of us call it foosball, and the Weinsteins are calling it a cash cow. Variety announced that...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...