Tag: Keith Stanfield

2018 Sundance Film Festival Predictions: Joshua Marston’s Come Sunday

A place that can be avoided by obedience to God and his commandments, the Mormons don't see what all the fuss is about like...

Get Out | Review

The Souls of Black Folk: Peele's Debut Subverts the Norm in Edgy, Timely Horror Film Behold the power of genre film, a tradition of cinema...

2017 Sundance Film Festival Predictions: Matt Ruskin’s Crown Heights

A rather remarkable, perhaps rare, but not unheard true life story of false imprisonment and the type of stubborn dedication it selflessly takes to...

A Face We Know: Adam Wingard Scribbles in Keith Stanfield & Palo Alto’s Duo for “Death Note”

Adam Wingard's Death Note appears to have had some short lived growing pains to sort out as The Wrap reports that Netflix beat out several...

Miles Ahead | Review

Kinetic & Spirited: Debut Heavily Reliant on Cheadle’s Perf His raspy voice precedes, commanding the dark screen. Front and center, the unruly Don Cheadle channels the...

2016 Sundance Film Festival Predictions: Logan Sandler’s Live Cargo

A micro indie L'Avventura-esque meets Miss Bala like oddity presented at the U.S in Progress (2015 Paris Champs-Élysées Film Festival edition), Logan Sandler reteams with...

Straight Outta Compton | Review

Cruisin’ Down the Street: Gray Returns to Relevance with Biopic of Iconic Rap Group Director F. Gary Gray will forever hold a seminal spot in...

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All of a Sudden | 2026 Cannes Film Festival Review

Of Human Bondage: Hamaguchi Highlights Humanity in Quiet Drama In...

2026 Cannes Critics’ Panel: Day 3 – Ryusuke Hamaguchi’s All of a Sudden

The second Japanese filmmaker to premiere in the competition...

Parallel Tales (Histoires parallèles) | 2026 Cannes Film Festival Review

The Double Life of the Voyeurist: Farhadi Fails with...

Fatherland | 2026 Cannes Film Festival Review

Every Mann for Themselves: Pawlikowski Remains Chilly with Cold...