Tag: Kwon Haehyo

By the Stream | Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

A Traveler’s Needs | Review

The Traveler Has Come: Huppert Shines in Latest Collaboration with Sang-soo There are few directors who seem to rightly channel the comic side of Isabelle...

What Does that Nature Say to You | 2025 Berlin Intl. Film Festival Review

The Parent Trap: Sang-soo Takes Sideways Swipe at Social Etiquette A constant purveyor of how subtle social cues are obliterated by the lowered inhibitions of...

The Woman Who Ran | 2020 Berlin Intl. Film Festival Review

Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych Ending a rare year-long absence from the cinema (an observation of note since he presents two...

Sang-soo Goes for Slight(ly) Sober in B&W Mix-up ‘The Day After’ | Blu-ray Review

Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...

The Day After | 2017 Cannes Film Festival Review

Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...

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2026 Sundance: Beth de Araújo’s ‘Josephine’ Doubles Down Lands Grand Jury & Audience Award Prizes

Following a thunderous world premiere, Beth de Araújo’s sophomore...

Ha-chan, Shake Your Booty! | 2026 Sundance Film Festival Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Birds of War | 2026 Sundance Film Festival Review

Soaringly Bittersweet: Boulos & Alkader Habak Fall in Love...

Everybody to Kenmure Street | 2026 Sundance Film Festival Review

Good Neighbours: Sierra Highlights Glasgow’s Proud Grassroots Protesting History...