Tag: La Jauría

2022 TIFF: Honoré, Seidl, Pálmason, Mungiu & Gueret+Akoka in the Contemporary World Cinema Program

After front-loading the section with Canadiana last week, we now know the entire make-up of the Contemporary World Cinema Program and there are plenty...

2022 San Sebastian: Barragán’s Octopus Skin, Markowicz’s Charcoal & Martelli’s 1976 Populate Horizontes Latinos

Juan Pablo González's Sundance winning Dos Estaciones, Manuela Martelli's Quinzaine section winning 1976, Andrés Ramírez Pulido's Critics' Week winner La Jauría, Carolina Markowicz's Platform...

2022 Cannes Coverage Wrap-Up: Critics’ Week

Aftersun - Charlotte Wells Alma viva - Cristèle Alves Meira Imagine - Ali Behrad La jauría - Andrés Ramírez Pulido Love According to Dalva - Emmanuelle...

La Jauría | 2022 Cannes Film Festival Review

Beasts in the Jungle: Pulido Suffers the Children in Sinister Debut At the bizarre intersection of a walkabout and a penal colony is La Jauría...

2022 Cannes: Goutte d’Or, Alma Viva & The Woodcutter Story Among Critics’ Week Selections

The newly minted "French Touch" award could easily define Critics' Week topper Ava Cahen's first line-up edition - as the 2022 slate is full...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.