Tag: Mathieu Verhaeghe

Strawberries (La más dulce) | 2026 Cannes Film Festival Review

Fruit on the Vine: Marrakchi Harvests Bitter Justice “We give our bodies. All that for peanuts,” is an anguished remonstrance from the protagonist in Strawberries,...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as...

The Deep Blue V: Sophie Letourneur Sets Sails for “L’Aventura”

Savory wine, blissful beaches, rugged topography, and an elusive Philippe Katerine who plays Jean-Philippe -- we've been keeping close tabs on what will be...

Incredible But True | 2022 Berlin International Film Festival Review

Beauty Secrets: Dupieux Latest a Strangely Tragic Fable on Human Foibles The films of Quentin Dupieux, a prolific Belgian director who has spent most of...

Deerskin | Review

Full Leather Jacket: Dupieux’s Cinema Bizarre Continues with Killer Style Quentin Dupieux, France’s purveyor or loopy absurdism, returns with Deerskin, headlined by high-profilers Jean...

Top 150 Most Anticipated Foreign Films of 2020: #130. La pièce rapportée – Antonin Peretjatko

La pièce rapportée For his third feature, Antonin Peretjatko commences on the comedic La pièce rapportée, produced by Thomas and Mathieu Verhaeghe and recruits an...

Top 150 Most Anticipated Foreign Films of 2020: #135. Playlist – Nine Antico

Playlist Comic book author Nine Antico scores two noted actresses for her directorial debut, Playlist, produced by Atelier de Production's Thomas and Mathieu Verhaeghe....

Top 150 Most Anticipated Foreign Films of 2019: #76. Le daim – Quentin Dupieux

Le daim For his seventh feature, French director Quentin Dupieux continues his particular brand of black comedy with Le daim, starring Oscar winner Jean Dujardin,...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...