Tag: McCaul Lombardi

Port Authority [Video Review]

Category is The Realness: Lessovitz Isn’t Strictly Ballroom in Star Crossed Romance To acknowledge the formidable, everlasting impact of Jennie Livingston’s 1990 documentary Paris is...

American Honey | Blu-ray Review

For her third time playing in the Cannes Main Competition, Andrea Arnold also took home her third Jury prize for American Honey, the British...

2017 Sundance Film Festival Predictions: Matt Porterfield’s Sollers Point

Part of the mini Baltimore/Maryland clique of filmmaker contributors adding significant contributions to the American indie scene, Matt Porterfield lined auds up with personalized cinema offerings of Hamilton...

2016 Cannes Critics’ Panel Day 5: Arnold’s “American Honey” Features Two-Lane Bluetop

With the exception of Wuthering Heights, Andrea Arnold has stamped her presence all over the Croisette and has been heavily rewarded for her works:...

American Honey | 2016 Cannes Film Festival Review

Hard Candy: Arnold’s Benevolent Portrait of Bruised American Youth Arthur Miller’s signature work featuring shambling door-to-door salesman Willy Loman certainly comes to mind more than...

Maximum Sentence: McCaul Lombardi & Crew Get Paroled for Porterfield’s “Soller’s Point”

McCaul Lombardi (who'll be on the Croisette in the featured Andrea Arnold's American Honey quartet comprised of Sasha Lane, Shia LaBeouf and Arielle Holmes)...

Top 100 Most Anticipated Foreign Films of 2016: #30. Andrea Arnold’s American Honey

American Honey Director: Andrea Arnold Writer: Andrea Arnold Andrea Arnold breaks her five year hiatus with American Honey, her first film since 2011's Wuthering Heights (which premiered...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.