Leading with a dozen noms, Paul Thomas Anderson’s One Battle After Another nunchuked the hell out of the upcoming International Cinephile Society awards landing...
In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...
Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker
Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...
While she has dropped world premieres at Sundance and Venice (plus Telluride), Kelly Reichardt has been flirting with Cannes on three occasions total (plus...
Keeping up with her pattern of releasing a film roughly every three years, Kelly Reichardt’s next project, The Mastermind, is one extra America indie...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.