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Ambulance | Review
April 7, 2022Can’t Stop, Won’t Stop: Bays Busts the Panic Button in Rambunctious Heist Remake For a director...
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All the Old Knives | Review
April 6, 2022The Worst Cut is the Deepest: Metz Revels in Tasty Romantic Thriller Emerging somewhere between the...
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You Won’t Be Alone | Review
April 6, 2022Practical Magic: Stolevski Impresses with Eloquent Folk Horror Trauma Nature and Nurture are the affixed ingredients...
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The Girl and the Spider | Review
April 5, 2022A Roommate of One’s Own: The Zurcher Bros. Cast a Spell in Weirdo Existential Melodrama The...
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Donbass | Review
April 4, 2022Come and See: Loznitsa Crafts Overwhelming Nightmare of Modern War-torn Ukraine Dropping us directly into the...
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Bull | Review
April 1, 2022All the Rage: Williams Returns with a (Familiar) Vengeance After a decade working in television, British...
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The Rose Maker (La fine fleur) | Review
April 1, 2022In the Name of the Rose: Frot Elevates Formulaic Melodrama from Pinaud “What is life without...
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Sonne | 2022 Berlin International Film Festival Review
April 1, 2022The Sun Also Scheisse: Ayub Explores Identity Politics in Modern European Diaspora For her directorial debut,...
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The Bubble | Review
March 31, 2022The Exterminating Sound Stage: Apatow Skewers Hollywood’s Pandemic Age in Moderately Amusing Satire Straddling a blurry...
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Zero Fucks Given (Rien à foutre) | Review
March 30, 2022Ground Control: Exarchopoulos Takes Flight in Portrait of Repressed Anguish For their directorial debut Zero Fucks...