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Video Interview: Zoe Kazan (Meek's Cutoff)

Posted by Sean Glass on Apr 07, 2011
Source: IONCINEMA.com EXCLUSIVE

Zoe Kazan is a unique talent. She’s somehow managed to work quite constantly over the past few years without needing anything close to a typecast. Normally, actors establish themselves as doing one thing well and getting hired repeatedly for it. Not Kazan though. She played the nice, safe, but not too adventurous or glamorous love interest in Me and Orson Welles and then a blonde bombshell who opens Jason Schwartzman to exciting new worlds of sexuality in Bored to Death and was selected for Kelly Reichardt's Meek’s Cutoff, based on  perhaps "look" and her performance in The Exploding Girl.

Here she plays alongside her real life boyfriend Paul Dano as her half of a young privileged couple who previously led a sheltered life, until their foray on the Oregon trail. This period piece feminist western is another feather in the cap of Kazan’s early career. Soon look for her screenwriting debut for Dano starrer in the works He Loves Me. In the interview we discuss her growing up in a household of writers before becoming an actor, and what direction her future is heading nd to top it all off, we also discuss our traditional Jewish allergies. Oscilloscope Laboratores releases the Venice preemed Meek's Cutoff is in New York tomorrow.



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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