Sofia Coppola’s Priscilla has been identified as New York Film Festival’s Centerpiece Selection and receives the North American premiere status which indicates that the film is indeed heading to the Venice Film Festival. The A24 film has been circled October for the film’s theatrical release – so this pre-launch buzz comes in especially helpful.
Never has there been a more obsessed-over American pop icon than Elvis Presley, yet no one knew him more tenderly during his superstar years than Priscilla Ann Wagner, whose own story as Elvis’s romantic partner and only wife has rarely been told from her perspective. Director Sofia Coppola, who in her remarkable filmography has so often returned to intimate portraits of women living complicated lives behind closed doors, has found a subject exquisitely tailored to her interests. As portrayed with extraordinary poise and strength by Cailee Spaeny, Priscilla finally becomes the center of her narrative. Coppola follows her love affair with Elvis (an equally revelatory, larger-than-life Jacob Elordi), from her early years as a teenage army brat stationed in West Germany to her surreal arrival at Graceland, which becomes both her home and prison. With her customarily precise attention to texture and detail, Coppola has created one of her most stirring, vivid films, a tribute to a woman who was living in the public eye before she had truly experienced the world.
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).
