European and French-language heavyweight Studiocanal (a production co. and theatrical release company) comes to Cannes with plenty of auteur-driven ammo. They have Robert Guediguian‘s The Army of Crime (L’Armee du crime) in a non-competitive slot and Nassim Amaouche‘s debut film Farewell Gary (Adieu Gary) is competing in the Critic’s Week section. They’ll be starting up sales for Atom Egoyan‘s latest film Chloe (see poster premiere here) which should receive a logical festival release at Venice and/or Toronto. Here is their slate of titles available.:
AND SOON THE DARKNESS by Marcos EFRON – Post-Production
AROUND THE WORLD IN 50 YEARS by Ben STASSEN – Production
CHLOE by Atom EGOYAN – Post-Production
COTTON by Daniel STAMM – Pre-Production
THE ARMY OF CRIME (L’ARMEE DU CRIME) by Robert GUEDIGUIAN – Completed
BABY(IES) by Thomas BALMES – Post-Production
BLAME IT ON MUM (QUELQUE CHOSE A TE DIRE) by Cécile TELERMAN – Completed
CHANGE OF PLANS (LE CODE A CHANGE) by Danièle THOMPSON – Completed
COCO by Gad ELMALEH – Completed
FAREWELL GARY (ADIEU GARY) by Nassim AMAOUCHE – Completed
FRIENDS FOREVER (MULLEWAPP – DAS GROSSE KINOABENTEUER DER FREUNDE) by Tony LOESER – Completed
ONE FOR THE ROAD (UN DERNIER POUR LA ROUTE) by Philippe GODEAU – Completed
OSCAR AND THE LADY IN PINK (OSCAR ET LA DAME ROSE) by Eric-Emmanuel SCHMITT – Post-Production
QUEEN TO PLAY (JOUEUSE) by Caroline BOTTARO – Completed
THE RED RIDING TRILOGY by Julian JARROLD – Completed
