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2016 Cannes Critics’ Panel Day 11: Paul Verhoeven Brings Loaded “Elle” to the Table

Elle not only sees Paul Verhoeven‘s long awaited return to the Croisette (his only ever Cannes showing being 1992’s Basic Instinct) but it also counts as a long waited return behind the camera — not since 2006’s Black Book and boy were those who did stuck around Cannes in for a treat.

Starring “an inimitable Isabelle Huppert” our Nicholas Bell says “the vehicle once again proves her to be a leading formidable talent, with a particular expertise when it comes to controversial portrayals of warped sexual expression. Their pairing is delectable, and marks a ravishing return to the screen for Verhoeven” while The Guardian’s Xan Brooks five star review states this is “uproarious, galvanic and guaranteed to spark debate”.

 

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The Salesman Asghar Farhadi / Elle Paul Verhoeven

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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