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The Most Precious Of Cargoes | 2024 Cannes Film Festival Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...

2024 Cannes Film Festival: Wim Wenders, Jean-Luc Godard & Akira Kurosawa Feted in Classics Section

The section that we criminally need to overlook while covering the festival, the Cannes Classics films (excluding Le Cinéma de la Plage) are the...

Criterion Collection: Mr. Klein (1976) | Blu-ray Review

In Rainer Werner Fassbinder’s Chinese Roulette (1976), a venomous marital melodrama, a character played by Margit Carstensen provocatively inquires, “Who would this person have...

Athena | Review

The World is (Not) Yours: Gavras Clumsily Tackles Civil Unrest, Police Brutality Recalling elements of his father Costa-Gavras’ most iconic film, Z (1969), Romain Gavras...

2022 Venice Film Festival: 70 Predictions (Part I) Iñárritu, Dominik, Zlotowski & Escalante

This week we throw ourselves into predicting the world premiere options for both the Venice and Toronto International Film Festivals. We begin by looking...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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