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Alice in Changes; Rachel Weisz & Michael Shannon Takes Seats at Joshua Marston’s Table Drama

A Joshua Marston film sans subtitles? After film fest favorites Maria Full Of Grace (2004 Sundance hit) and The Forgiveness Of Blood (read our...

Sundance ’16: Reichardt, Marston, Sachs, Solondz, Stillman & Lonergan Among Premieres

Sundance programmers have unveiled what is a jaw-dropping, savoury Premieres line-up. With names such as Asif Kapadia (Ali & Nino), Kelly Reichardt (Certain Women), Joshua...

The Burnt Orange Heresy | Review

Pleasure to Burn: Capotondi Returns with Entertaining Neo-Noir Murder really can be turned into art, it seems, in Giuseppe Capotondi’s return to narrative filmmaking with...

2019 Sundance Film Festival Predictions: #16. Chiwetel Ejiofor – The Boy Who Harnessed the Wind

With a recent Netflix pick-up, the distrib will have to figure out if it'll throw Chiwetel Ejiofor’s directorial debut The Boy Who Harnessed the...

Come Sunday | Review

Preaching to the Choir: Marston Tackles Modern Heresy in Orthodox Glance at Evangelical Hypocrisy There are numerous epithets various strands of Christianity tend to utilize...

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2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

Aisha Can’t Fly Away | 2025 Cannes Film Festival Review

Buliana Simon Shines In Gritty Immigrant Story That Struggles...

2025 Cannes Critics’ Panel: Day 7 – Julia Ducournau’s ‘Alpha’

Body horror, psychological issues, and social commentary best describe...

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