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Tribeca Film Fest Welcomes World Preems From Keith Miller, Lou Howe, Rapp, Lipes, Renzi, Tristan Patterson, Curry & Yu

By the looks of it, the Tribeca Film Festival might finally be growing out of their awkward teenage phase and moving into a new...

Gladiator II | Review

Eternity and a Day: Scott Rehashes the Dying Embers of an Empire “The movie doesn’t have to be great; it can be stupid and empty...

Gilles Lellouche’s Beating Hearts – 2024 Cannes Critics’ Panel: Day 10

The popular French actor working in just about every film genre has been on the Croisette on a couple of occasions but as a...

L’amour Ouf (Beating Hearts) | 2024 Cannes Film Festival Review

Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting...

Showing Up | Review

Bird is the Word: Reichardt Returns with Warm Portrait of Art and Ennui To some it may seem too slight and to others just right,...

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Die My Love | 2025 Cannes Film Festival Review

Images of Yellow Wallpaper: Ramsay Charts a Psychotic Break For...

2025 Cannes Critics’ Panel: Day 5 – Chie Hayakawa’s ‘Renoir’

Gradually making her presence known on the Croisette first...

Des preuves d’amour (Love Letters) | 2025 Cannes Film Festival Review

Evidence of Love: Douard’s Debut Reads Between the Lines...

I Only Rest In The Storm | 2025 Cannes Film Festival Review

White Impact: Pinho Explores the Ponderous Progress Through Post-Colonial...

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