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I Am Not Madame Bovary | Review

What Women Want: Feng’s Lusciously Filmed Satire a Wearying Critique on Cultural Custom Prolific Chinese director Xiaogang Feng, whose films are often well-regarded box office...

Nir Bergman’s ‘Intimate Grammar’ Leads 2010 Ophir Noms

The nominations for the Israeli Film Academy awards (The Ophirs) were announced this week and as expected, Nir Bergman's "Intimate Grammar" is at the top of the leader board with 12 nominations, but there are a few more surprises worth noting.

Complete 2008 Cannes Line Up: Main Comp, UCR, Director’s Fortnight & Critic’s Week

Here is the complete 2008 Cannes Line Up. Main Competition: Nuri Bilge Ceylan - Three Monkeys (Turkey-France-Italy) Jean-Pierre & Luc Dardenne - Le Silence De Lorna...

Best Bets: Critic’s Week

Before we begin what should be a grueling, exhausting, yet painlessly pleasurable coverage of the 61st edition of the Cannes film festival (I've got north of 40 films/events that I ambitiously want to cover), I first wanted to begin IONCINEMA.com's coverage of the fest with an overview of the four sections of the festival and what I predict should be critically well-received pictures to look out for. We first begin with the Critic's Week (47th Semaine Int. de la Critique) sidebar which has a distinctive Euro-flavoring this year.

Cannes 08: International Critics’ Week Line Up

Critic’s Week is a smaller-in-scope, parallel event that might come across as Cannes' least desirable, but the fact is: this is a sidebar that manages to offer some solid debut and second time efforts. Last year, the Espace Miramar (a serious walk from the traffic jams of the festival core) was overwhelmed by salivating fans awaiting the solo screening for Gael Garcia Bernal debut film Déficit,

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I Understand Your Displeasure | 2026 Berlin Intl. Film Festival Review

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Love Audit: de la Rosa Defies the Odds with...

You BETcha!: ‘Yellow Letters’, ‘Rose’ & ‘Queen at Sea’ are the Golden Bear Frontrunners

YouBETcha! is back, this time for our Berlinale edition,...

No Good Men | 2026 Berlin Intl. Film Festival Review

Up Close & Personal: Sadat Subverts the Spotlight in...

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