Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Diego Lerman, Constantin Popescu, David Verbeek, Alicia Duffy and Filmmaker Mathieu Amalric Headed to Cannes 2010?

Cineuropa have produced a deluge of other probable titles that neither IONCINEMA.com, nor Screen Daily or for that matter any other trades have mentioned in their predictions lists for the biggie festival next May. I think some of the names/titles aren't better than pure specuIation, but are informed guesses.

A Wealth of Hungarian Helmers Headed to Cannes?

Normally the flag colors of red, white and green would announce a strong cluster of Italian films, but I think this year's edition of the Cannes Film Festival might include my previously announced predictions of seeing Benedek Fliegauf, Kornel Mundruczo and Bela Tarr, but Cineuropa is adding one more name to their list in helmer Agnes Kocsis.

Film in Pictures: Andrucha Waddington’s Lope

Alejandro Gonzalez Inarritu's Biutiful will receive a Main Comp spot, and keeping with the Amores Perros connection, we might get a first glimpse of Gael Garcia Bernal in Iciar Bollain's Even the Rain, but the one title that hasn't been tossed around as a likely candidate for the croisette is Andrucha Waddington's Lope.

Tribeca 2010: Dahan’s My Own Love Song Added, Freakonomics Finally Receiving World Premiere

With such strong ties to both the Sundance and Tribeca Film Festivals, it comes as no surprise that Alex Gibney and co. will use Tribeca as the launching pad for the world premiere to a docu film whose release is long overdo. Freakonomics will serve as the closing Gala premiere to the festival, and I believe it could find a buyer from such a showcase.

Magnolia Goes the Extra Mile for ‘The Extra Man’

Magnolia Pictures have done some late Sundance shopping, grabbing the rights to Shari Springer Berman and Robert Pulcini's The Extra Man, a comedy that I managed to miss in Park City due to a conflict in my schedule. I'll have to wait until late July or show up at the Sarasota and Boston Film Festivals if I want an advance screening.

Breaking

Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

The Favorited Son: Landucci Looks at How Love Can...

Your Mother Your Mother Your Mother | 2026 Toronto Intl. Film Festival Review

Holy War: Mahershala Ali Unleashes Fatherly Vengeance Your Mother Your...

Back to Buenos Aires | 2026 Venice Film Festival Review

The Doctor and the Devils: Bechis Explores the Agony...

A Bit of Light | 2026 Venice Film Festival Review

Under the Cherry Moon: Asgari Lets the Sun Shine...
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