Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2011 Oscar Predictions: Cinematography

That's right folks. The gold dust for the 2010 Oscar winner list has barely settled, and I'm already attempting to figure out the 2011 Oscar nominations might look like. Why? It's more of a curiosity factor than anything else, seeing what's out there, what we can look forward to - so for the next nine days, I'll unveil my predictions in nine categories, beginning with the category for Best Cinematography.

Bruno Dumont is Building an ‘Empire’

After a moment of reprieve in 2009's Hadewijch, it looks as if Bruno Dumont will was again explore the nastier side of the human species with a film that will be featured in the backdrop of the sand dunes of Pas de Calais, France -- which appears to be the northern region above Normandy.

Kayam, Sotomayor, Lolli, Borgman, Franco, Jimenez headed to Cannes’ Residence

School is now in session. Cannes' La Residence de la Cinefondation, is celebrating its 20th session and this year's lucky "students" well representing South America include the feature debut projects from Yaelle Kayam, Dominga Sotomayor, Franco Lolli and Daniel Joseph Borgman with sophomore projects from Cristian Jimenez and Michel Franco.

Oscars 2010 – Best Picture: Indiewood Wins Over Hollywood

I remember when The Hurt Locker played at TIFF -- the first screening received little fanfare - that some film distributors didn't even bother showing up. Summit Entertainment did - and took their time with a release strategy and the rest is history. I'm curious to know what kind of exposure did the 10 noms do for the other smaller films, including my favorite of the pack in A Serious Man; this win should make plenty of foreign distributors extremely happy. Indie film triumphs once again!

Oscars 2010 – Best Director: Bigelow Makes HIstory

Weird that the presenters somehow foreshadow the eventual winners. Round one of indiewood versus hollywood goes to the indiewood. Smells like a Best Picture win for The Hurt Locker...?

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