Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2024 Regard – Saguenay International Short Film Festival Recap

Yesterday, the Regard – Saguenay International Short Film Festival concluded its 28th edition — well technically, in terms of the physical presence portion the...

2024 Le Groupe Ouest Selections: Zeno Graton & Angela Ottobah Among 8 Chosen Filmmakers

Among the well-known avenues of support for scriptwriting in the film industry, such as the Sundance Screenwriter's Labs and Cannes' The Residence, stands France's...

Social Mobility: Reygadas’ “Wake of Umbra” Aiming for 2025

After shooting in countries such as Norway and his native Mexico, we can confirm that the Poland segment is now complete for Carlos Reygadas'...

Bit Torrent: Film Movement Land Víctor Erice’s Comeback Film “Close Your Eyes”

Harpooned by Thierry Frémaux and unceremoniously relegated to the Cannes Premiere section, the critically acclaimed Close Your Eyes (which topped the ICS Awards, and...

2024 Cannes Film Festival Predictions – 25 Possible Palme d’Or Competition Films

Usually in the twenty to twenty-two film range, the competition for the Palme d'Or has been a tad more inclusive in recent years in...

Breaking

The Guest | 2026 Karlovy Vary Film Festival Review

You’ll (Dis)Like My Mother: Mengel Mars a Celebration With his...

A Happy Family | 2026 Karlovy Vary Film Festival Review

She’s Come Undone: Mack Concocts an Empathetic Chaos It’s clear...

Chica Checa | 2026 Karlovy Vary Film Festival Review

The Next Best Thing: Holy Hits the Sweet Spot...
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