Exclusive articles:
2018 Cannes Critics’ Panel: Day 6 – Alice Rohrwacher’s Happy as Lazzaro (Lazzaro Felice)
Winner of the 2nd highest prize offered at the Cannes Film Festival with her sophomore film The Wonders in 2014, and she previously made...
2018 Cannes Critics’ Panel: Day 6 – Jafar Panahi’s Three Faces
Winner for the Camera d'Or in 1995 (Directors' Fortnight) for The White Balloon, winner of the Un Certain Regard Jury for Crimson Gold in...
2018 Cannes Critics’ Panel: Day 6 – Eva Husson’s Girls of the Sun (Les filles du soleil)
Eva Husson tackles some heady subject matter with her third feature, and first Cannes entry. After shoring up at TIFF in 2015 with Bang...
2018 Cannes Critics’ Panel: Day 5 – Jia Zhangke’s Ash Is Purest White
An habitual of both Cannes and Venice, now in his third decade of filmmaking, Jia Zhangke first arrived in Cannes for 2002's Unknown Pleasures, then...
2018 Cannes Critics’ Panel: Day 5 – Jean-Luc Godard’s The Image Book (Le livre d’images)
Walking up and down the Croisette we are reminded of his presence at the festival with the 1965's Pierrot le Fou and so after...
