Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2017 Sundance Trading Card Series: #1. The Ghost (A Ghost Story)

I can't believe we're making a trading card this year on a fictitious character, but here goes. Question: What is home for you? Is it...

8 Million Ways to Die | Blu-ray Review

The only reality more mind blowing as concerns 8 Million Ways to Die, other than its unenthusiastically rendered characterizations from an sterling cast, is...

Paulina | Review

She’s Having a Baby: Mitre Explores the Yoke of Victimhood in Uncomfortable Drama Argentina’s Santiago Mitre scores his first international success with his third feature,...

The Florida Project | 2017 Cannes Film Festival Review

Zip-a-Dee-Doo-Dah: Baker Offers A Portrait of the South Like No Other This time out we can move away from lazily defining  Sean Baker's cinema as...

2017 Cannes Film Festival: How the “Toni Erdmann” Snub Help Land “The Square” the Palme d’Or

When surveilling the postscript and how the Pedro led jury handed out the awards, the consensus is: job well done. However, while we were...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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