Exclusive articles:
2016 Cannes Critics’ Panel Day 9: Dolan Comes Out with “It’s the Only the End of the World”
With the exception of what I consider his best film to date, the Venice preemed Tom at the Farm, Xavier Dolan's home away from home...
2016 Cannes Critics’ Panel Day 9: Cristian Mungiu Teaches Masterclass with “Graduation”
Winner of the Palme d'Or in a heavily stacked 2007 field that included The Diving Bell and the Butterfly, No Country for Old Men...
2016 Cannes Critics’ Panel Day 8: Brillante Mendoza’s Slumdog Manila in “Ma’ Rosa”
Hovering just over the dozen feature film mark, Ma' Rosa is now the fourth Cannes Film Fest entry for Filipino director Brillante Mendoza. Serbis was his...
Sophomore Slump No More: Sundance Institute’s FilmTwo Give Helping Hand to Lucky 13 (Carpignano, Banks Griffin, Heller, Holmer, Moselle et Al.)
American indie helmers who were in Park City this past January with their debut films in Andrew Ahn (Spa Night), Bernardo Britto (Jacqueline (Argentine)), Steven...
2016 Cannes Critics’ Panel Day 8: Dardennes Get Clean Bill of Health for “The Unknown Girl”
Padding their already impressive filmography as filmmakers, the Dardennes are becoming a force in auteur-driven films as producers. Landing a little everywhere in Cannes...
