Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Melody C. Roscher & Craig Shilowich Take Creative Control on “Our Band Is Forever”

On the eve of the world premiere screening to Antonio Campos' Christine and the soon to be launched theatrically Creative Control, producers Melody C....

2015 Cinema Eye Honors: The Look of Silence Fitted…and Fêted as Best Nonfiction Feature of ’15

Prior to today's Oscar nomination announcements, Joshua Oppenheimer's follow up/ companion film to the haunting The Act of Killing won the top prizes at the 2015...

School of Hard Knocks: Felix Thompson’s “King Jack” Bullied By Well Go USA

Less than a day after winning the Independent Spirit Awards' “Someone to Watch” to watch award beating out Chloé Zhao's Sundance preemed Songs My Brothers...

2016 January Screenwriters Lab Invite Projects From Pippa Bianco, Alistair Banks Griffin and Grassadonia & Piazza

The Sundance Institute is including a touch of Cannes this week as the likes of Pippa Bianco (her short Share was the 2015 winner...

Top 100 Most Anticipated Foreign Films of 2016: #69. Michelangelo Frammartino’s Tarda primavera

Late Spring Director: Michelangelo Frammartino Writer: Michelangelo Frammartino Italian director Michelangelo Frammartino announced himself as an important new cinematic talent with his 2010 sophomore film Le Quattro...

Breaking

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

Romería | Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...
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