Exclusive articles:
2016 Cannes Critics’ Panel Day 10: Refn Takes Fashionable Approach to “The Neon Demon”
Prior to hitting the Cannes comp with his Best Director prize winning Drive (2011) and the much disliked Only God Forgives (2013), this Danish-American...
2016 Cannes Critics’ Panel Day 10: Sean Penn’s Proposes Cinematic War Zone for “The Last Face”
A well liked actor and personality on the Croisette, he had his first outing as a filmmaker with The Indiana Runner land in the...
2016 Cannes Critics’ Panel Day 9: Dolan Comes Out with “It’s the Only the End of the World”
With the exception of what I consider his best film to date, the Venice preemed Tom at the Farm, Xavier Dolan's home away from home...
2016 Cannes Critics’ Panel Day 9: Cristian Mungiu Teaches Masterclass with “Graduation”
Winner of the Palme d'Or in a heavily stacked 2007 field that included The Diving Bell and the Butterfly, No Country for Old Men...
2016 Cannes Critics’ Panel Day 8: Brillante Mendoza’s Slumdog Manila in “Ma’ Rosa”
Hovering just over the dozen feature film mark, Ma' Rosa is now the fourth Cannes Film Fest entry for Filipino director Brillante Mendoza. Serbis was his...
