Exclusive articles:
2015 Cannes Critics’ Panel Day 9: Does Hou Hsiao-hsien’s Killer Instinct Found in “The Assassin”
Taking a page from WKW, Taiwanese master filmmaker Hou Hsiao-hsien took a full eight years working on martial arts film, The Assassin. He first...
2015 Cannes Critics’ Panel Day 9: Audiard Goes Off Deep-end with “Dheepan”
We'll be better able to assess whether this Jacques Audiard's seventh feature film was triumphant, faltered or flatlined when more results trickle in, but...
2015 Cannes Critics’ Panel Day 8 & 9: Between a Rock & a Hard R Place for Noé’s “Love”
It's only his fourth feature film, but his eighth trip to Cannes, Gaspar Noé hasn't let go of the short or long format. He...
2015 Cannes Critics’ Panel Day 8: Zhangke’s “Mountains May Depart” Sees “The World” as Capitalist
Almost splitting his time equally between the Lido and the Croisette, with almost a dozen features in (a mix of fiction and docus), Jia...
2015 Cannes Critics’ Panel Day 8: No Love Lost on Sorrentino’s “Youth”
The last of the three competing Italian films for the Palme d'Or, unlike 2008 where Garrone's Gomorrah edged out Sorrentino's Il Divo, here, solely...
