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2015 Cannes Critics’ Panel Day 8 & 9: Between a Rock & a Hard R Place for Noé’s “Love”

It’s only his fourth feature film, but his eighth trip to Cannes, Gaspar Noé hasn’t let go of the short or long format. He first broke into the fest with the Directors’ Fortnight included Carne (1991), La Bouche de Jean-Pierre (short – 1996), Seul Contre Tous (short – 1998), Irreversible (2002), Sida (short – 2006), Enter the Void (2009), 7 Days in Havana (one of seven short films – 2012). If we only received a small sampling of critic grades for the 8:30 a.m. screening of Jacques Audiard’s Dheephan, it might have a lot to do with the conflict of interest and sleep deprivation associated to Noé’s Love 15 minutes past midnight screening. This year we made an exception in our Critics’ Panel, including this tantalizing 3D offering which our Nicholas Bell only reminds us that “Noé was already beaten to the punch by Michael Winterbottom with his film 9 Songs“. For many, this might be the filmmaker’s least impressive in his four film filmography.

Check back with us on three occasions today for the latest grades and make sure to click on the grid below for a larger version.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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