It’s only his fourth feature film, but his eighth trip to Cannes, Gaspar Noé hasn’t let go of the short or long format. He first broke into the fest with the Directors’ Fortnight included Carne (1991), La Bouche de Jean-Pierre (short – 1996), Seul Contre Tous (short – 1998), Irreversible (2002), Sida (short – 2006), Enter the Void (2009), 7 Days in Havana (one of seven short films – 2012). If we only received a small sampling of critic grades for the 8:30 a.m. screening of Jacques Audiard’s Dheephan, it might have a lot to do with the conflict of interest and sleep deprivation associated to Noé’s Love 15 minutes past midnight screening. This year we made an exception in our Critics’ Panel, including this tantalizing 3D offering which our Nicholas Bell only reminds us that “Noé was already beaten to the punch by Michael Winterbottom with his film 9 Songs“. For many, this might be the filmmaker’s least impressive in his four film filmography.
Check back with us on three occasions today for the latest grades and make sure to click on the grid below for a larger version.
