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2015 Cannes Critics’ Panel Day 9: Does Hou Hsiao-hsien’s Killer Instinct Found in “The Assassin”

Taking a page from WKW, Taiwanese master filmmaker Hou Hsiao-hsien took a full eight years working on martial arts film, The Assassin. He first surfaced on the Croisette in Directors’ Fortnight section in 1988 with Daughter of the Nile, and since then the Main Comp have owned most of his filmography: The Puppetmaster (1993), Goodbye South, Goodbye (1996), Flowers of Shanghai (1998), Millennium Mambo (2001), Three Times (2005), Flight of the Red Balloon (2008) and let us not forget his worn out theatre segment in the 60th anniversary anthology film To Each His Own Cinema. Looking at our grid, The Assassin was either worth the weight or…was worn out long before it’s final edit. Starring Shu Qi (she made her mark on Millennium Mambo and showed up in Three Times and 2011 short film omnibus 10+10) this claws away at the decline of the Tang Dynasty. We’re hopeful that an eight year absence means quality reigns.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at (founded in 2000). Eric splits his time between his home base in Montreal, NYC, and is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. Top 3 from 2016: Certain Women (Kelly Reichardt), Things to Come (Mia Hansen-Løve), Toni Erdmann (Maren Ade)

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