Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Room with a View: Wasikowska Joins Binoche in Assayas’ Sils Maria

Olivier Assayas will take to the hills of Germany and Switzerland this summer with Mia Wasikowska packing her suitcases to play alongside Juliette Binoche...

Bottoms Up in SXSW; Magnolia Toasts to Swanberg’s Drinking Buddies

Making it two for two in just as many days, off the heels of a great showing in SXSW and the pick-up of Milo,...

Magnolia Insert Jacob Vaughan’s “Milo” into Schedule; SXSW Fave Gets Adopted Early

Among the 2013 SXSW Film Festival highlights (it played like gangbusters at its world premiere screening at the Alamo Ritz), Deadline reports that the...

Nuri Bilge Ceylan Moves into “Winter Sleep” Mode, Ruben Ostlund Set for “Tourist”

A little bit of coin news from Europe's Eurimages Fund (support of 13 projects) in the same token drops a couple of hints on...

IONCINEPHILE: Tim Sutton’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile (read...

Breaking

La grazia | Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of...

Interview: Arab Nassar – Once Upon a Time in Gaza

Over the course of their three feature films, Gaza-born...

Interview: Tawfeek Barhom – I’m Glad You’re Dead Now (Short)

From Tarik Selah's Boy from Heaven (2022) to the...

Interview: Ali Asgari – Divine Comedy

Sometimes, in a landscape where censorship and endless approvals...
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