Exclusive articles:
Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review
Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut
For her directorial debut, Partir un Jour (Leave One Day), based on her own 2021 Cesar...
Love (Kjærlighet) | Review
Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest Talking Cure Trilogy
Norwegian director Dag Johan Haugerud continues his sexuality-themed film trilogy (Sex/Dreams/Love) in Love,...
The Damned | Review
The Damned Do Cry: Minervini Details a Doomed Mission
For his first narrative feature, Roberto Minervini tackles another aspect of the evolving American identity with The...
Caught by the Tides | Review
The Tide is High: Zhangke Splices Thwarted Romance Across Changing Times
Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught...
Black Tea | Review
Spill the Tea: Sissako Flounders with Tepid Brew
The level of ineptitude apparent in every regard of Black Tea, Abderrahmane Sissako’s first narrative feature in...
