Exclusive articles:
Who by Fire (Comme le feu) | Review
Into the Woods: Lesage Explores Wounded Masculinities
In Vincent Sherman’s 1943 Bette Davis-led melodrama Old Acquaintance, the complex relationship between a pair of female frenemies...
The Empire (L’Empire) | Review
The Satire Strikes Back: Dumont Claims His Own Multi-Verse
It’s sometimes difficult to predict what mode French auteur Bruno Dumont will be choosing for his...
Mickey 17 | Review
Born to Die: Joon-ho Beguiles with Irreverent Sci-Fi Socio-Satire
After significant delays, Bong Joon-ho’s highly anticipated Mickey 17 at last arrives with all his signature...
World War III | Review
War & Fleece: Seyyedi’s Swiftly Shifting Satire Explores the Corrupting Nature of Power
In one of the most unromanticized depictions of the filmmaking process, Iranian...
Reflection in a Dead Diamond | 2025 Berlin Intl. Film Festival Review
Feed My Fetish, Please: Cattet & Forzani Pay Homage to the Eurospy in Dazzling Pastiche
Whether giallo gore or Western shaped, their films don’t lose...
