Exclusive articles:
DAU. Natasha | 2020 Berlin Intl. Film Festival Review
The Russia House: Khrzhanovskiy & Oertel Arrive from Russia with Love
As far as the cinematic form has been concerned, there’s been nothing which courts...
Guns Akimbo | Review
We Lost God Control: Howden Gets Loud with Gamer Action Comedy
Video games killed the cinema star could be one of many punchy quips concerning...
The Woman Who Ran | 2020 Berlin Intl. Film Festival Review
Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych
Ending a rare year-long absence from the cinema (an observation of note since he presents two...
Her Love is Real, But She is Not: Gainsbourg Plays with Gender Norms in “Je t’aime moi non plus” (1976) Blu-ray Review
An obscure oddity from the late 70s, to be sure, is French pop artist Serge Gainsbourg’s 1976 directorial debut, Je t’aime moi non plus...
When the Walls Can Talk: Forbes’ Forgotten “The Whisperers” Finds New Breath | Blu-ray Review
British director Bryan Forbes is perhaps best remembered for his iconic American horror film The Stepford Wives, which became a genre classic and entered...
