Exclusive articles:
The Blue Trail (O último azul) | Review
Crimes of the Future: Mascaro Envisions Trouble Ahead
“Getting old ain’t no place for sissies,” a quote often attributed to Bette Davis (or similar variations...
Living the Land | Review
Land of Steady Habits: Meng Reflects Familial Upheaval in Quiet Saga
“Isn’t it queer: there are only two or three human stories, and they go...
DJ Ahmet | Review
All DJs, Great and Small: Unkovski’s Debut Can’t Stop the Music
While its location might feel inherently unique, the happenings in Georgi M. Unkovski’s narrative...
YES | Review
Break My Soul: Lapid Explores Compromised Artistry During Wartime
Essentially, YES, the latest film from Israeli auteur Nadav Lapid, is a portrait of an artist...
Kontinental ’25 | Review
Can You Ever Forgive Me?: Jude Skewers the Status Quo
Ownership is an unsaid key word in Kontinental ’25, the latest perambulating spasm from Romanian...
