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Nicholas Bell

4618 POSTS
Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

A Man of His Time (Notre salut) | 2026 Cannes Film Festival Review

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Lost Illusions: Marre Administers Plodding Portrait of an Opportunist “There’s nothing worse than being bored with a boring man,” according to French writer Antoine Laurain....

Titanic Ocean | 2026 Cannes Film Festival Review

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Deep Sea, Baby: Kotzamani Goes Down Where It’s Wetter Greek filmmaker Konstantina Kotzamani heads to Japan for her directorial debut, Titanic Ocean, its fanciful title...

Minotaur | 2026 Cannes Film Festival Review

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The Cranes Aren’t Flying: Zvyagintsev Unleashes Primordial Tendencies “They always end disastrously,” Kate Burton advises Diane Lane of extramarital affairs in Adrian Lyne’s 2002 erotic...

Her Private Hell | 2026 Cannes Film Festival Review

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What Have They Done to Your Daughters?: Refn Returns with Vacuous Vengeance After disappearing into television for the past decade, Nicolas Winding Refn once again...

Bitter Christmas (Amarga Navidad) | 2026 Cannes Film Festival Review

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Women on the Verge of a Creative Breakdown: Almodovar Explores Anxious Inspirations “All literature is gossip,” quipped Truman Capote, an iconoclast whose predilection for ‘borrowing’...
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Breaking

La petite dernière (The Little Sister) | Review

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The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Théodore Pellerin – Unifrance 10 to Watch 2026 | 2026 Cannes Film Festival

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At the 2026 Cannes Film Festival, we got to...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

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The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

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Exploring themes of mental health, emotional recovery, companionship, and...
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