Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2018: #83. Sebastian Hofmann’s Time Share

Time Share Mexican director Sebastian Hofmann’s debut Halley (read review), about a night guard at a 24-hour gym who begins to have trouble concealing the...

Top 100 Most Anticipated Foreign Films of 2018: #84. Michael Winterbottom’s The Wedding Guest

The Wedding Guest British director Michael Winterbottom has directed over twenty-five narratives features, three documentaries, and a handful of television series/projects since he started out...

Top 100 Most Anticipated Foreign Films of 2018: #85. Valeria Bruni Tedeschi’s Les Estivants

Les Estivants Highly decorated French-Italian actress Valeria Bruni Tedeschi has enjoyed a broadening reputation as a director in her own right over the past decade,...

Top 100 Most Anticipated Foreign Films of 2018: #86. Adrian Garcia Bogliano’s Black Circle

Black Circle Mexican director Adrian Garcia Bogliano has become a favorite international genre auteur thanks to a variety of B-grade titles over the past decade....

Top 100 Most Anticipated Foreign Films of 2018: #87. Koji Fukada’s The Man from the Sea

The Man from the Sea Japan’s Koju Fukada scored his greatest international breakthrough to date when he took home the Jury Prize in Un Certain...

Breaking

Eagles of the Republic | Review

One Flew Over the Coup’s Nest: Saleh Muddles Through...

Erupcja | Review

Sympathy Is A Knife: Charli xcx Shines In This...

Interview: Pete Ohs – Erupcja (Work in Progress)

Filmmaker Pete Ohs likely needs no introduction, nor do...
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