Exclusive articles:
Anatahan (1953)| Review
Island of Lost Souls: Von Sternberg’s Lost Post-Colonial Swan Song Resurrected
Best remembered for his indelible string of films starring Marlene Dietrich in the early...
The Salesman | Review
Dark but Full of Diamonds: Farhadi Incorporates Miller’s Tragic Theater for Gendered Revenge
In keeping with his string of tersely titled but searing domestic melodramas,...
Julian Rosefeldt’s Manifesto Leads Nicholas Bell’s 2017 Sundance Film Fest Top Ten
In what ended up being one of the snowiest and coldest editions of Sundance in recent memory, there was no shortage of pleasant cinematic...
Detour | Review
Byway Bric-a-Brac: Smith Disappoints with Undistinguished Neo-noir
If the title sounds familiar, it’s because British director Christopher Smith is borrowing from the moniker from Edgar...
Paris 05:59: Théo & Hugo | Review
The Night is Young: Ducastel & Martineau’s Procedural Queer Romance
For their seventh theatrical feature, Paris 05:59: Théo & Hugo (also known for its more...
