Exclusive articles:
It’s Only the End of the World | 2016 Cannes Film Festival Review
Don’t They Know?: Dolan Delivers a Dud with Familial Drama
Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...
The Conversation: 2016 Cannes Film Fest Halfway Point Pulse
Eric Lavallee: Hello Nicholas. Yesterday we completed week one and we're close to the midway point. We've been anticipating Maren Ade's Toni Erdmann for...
American Honey | 2016 Cannes Film Festival Review
Hard Candy: Arnold’s Benevolent Portrait of Bruised American Youth
Arthur Miller’s signature work featuring shambling door-to-door salesman Willy Loman certainly comes to mind more than...
Sieranevada | 2016 Cannes Film Festival Review
Death in the Family: Puiu’s Grueling, Rewarding Portrait of Familial Strife
People are never who they seem to be, at least until you get to...
Belladonna of Sadness (1973) | Review
The Devil Inside: Yamamoto’s Cult Classic Restored to Gloriously Problematic Perversity
Cinelicious resurrects one of the most disturbing, sleazy and undeniably artistic animation endeavors...
