Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #6. Walter Hill’s Tomboy, A Revenger’s Tale

Tomboy, A Revenger’s Tale Director: Walter Hill Writers: Walter Hill, Denis Hamill Following a remarkable year in cinematic transgender representation with films like Sean Baker’s Tangerine, Tom...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #7. Bong Joon-Ho’s Okja

Okja Director: Bong Joon-Ho Writer: Bong Joon-Ho Fans of South Korean auteur Bong Joon-Ho’s 2013 English language debut Snowpiercer will most likely be excited to learn he’s...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #8. Claire Denis’ High Life

High Life Director: Claire Denis Writers: Claire Denis, Zadie Smith, Nick Laird French auteur Claire Denis is back with sci-fi tale High Life, co-written by novelists Zadie...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #9. Christian Petzold’s Transit

Transit Director: Christian Petzold Writers: Christian Petzold, Harun Farocki From within the newer movement known as the Berlin School of filmmaking, German auteur Christian Petzold has managed...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #10. Helene Cattet and Bruno Forzani’s Laissez Bronzer Les Cadavres

Laissez Bronzer Les Cadavres Director: Bruno Forzani & Helene Cattet Writers: Bruno Forzani & Helene Cattet Last year, we had included this new project from 'neo-giallists' Bruno...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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