Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #1. Michael Haneke’s Happy End

Happy End Director: Michael Haneke Writer: Michael Haneke In mid-2015, Michael Haneke officially confirmed he would be abandoning a project known as Flashmob and focusing on different...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #2. Carlos Reygadas’ Where Life Begins

Where Life Begins Director: Carlos Reygadas Writer: Carlos Reygadas We’re thrilled to find Mexican auteur Carlos Reygadas at last embarking on his fifth feature, Where Life Begins,...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #3. Serge Bozon’s Madame Hyde

Madame Hyde Director: Serge Bozon Writers: Serge Bozon, Axelle Ropert Serge Bozon’s sophomore effort, Tip Top (2013) was among our favorite 2014 US theatrical releases, and still...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #4. Ulrike Ottinger’s The Beautiful Woman Sleeping

The Beautiful Woman Sleeping Director: Ulrike Ottinger Writers: Ulrike Ottinger, Elfriede Jelinek It is with great pleasure we feature the announced plans for a new film from...

Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #5. Denis Villeneuve’s Untitled Blade Runner Sequel

Untitled Blade Runner Sequel Director: Denis Villeneuve Writers: Hampton Fancher, Michael Green Following his expertly crafted studio pulp items such as Prisoners (2013) and this year’s Sicario,...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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