Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2016: #10. Lucrecia Martel’s Zama

Zama Director: Lucrecia Martel Writer: Lucrecia Martel Argentinean director Lucrecia Martel has become one of her country’s most prolific filmmakers with three outstanding titles to her name,...

Top 100 Most Anticipated Foreign Films of 2016: #11. Pablo Larrain’s Neruda

Neruda Director: Pablo Larrain Writer: Guillermo Calderon Pablo Larrain has quickly become one of the most important auteurs in the Chilean New Wave of the past decade...

Top 100 Most Anticipated Foreign Films of 2016: #12. Guillaume Nicloux’s Dans les bois

The Wandering Director: Guillaume Nicloux Writer: Guillaume Nicloux Shortly after premiering his latest film Valley of Love at the 2015 Cannes Film Festival, Guillaume Nicloux very quietly...

Top 100 Most Anticipated Foreign Films of 2016: #13. Cristi Puiu’s Sierra-Nevada

Sierra-Nevada Director: Cristi Puiu Writer: Cristi Puiu Romanian New Wave master Cristi Puiu, has been almost absent from the cinema scene, whose memorable sophomore effort, 2005’s The...

Top 100 Most Anticipated Foreign Films of 2016: #14. Maren Ade’s Toni Erdmann

Toni Erdmann Director: Maren Ade Writer: Maren Ade Though many be unfamiliar with her work, which is a pity since both her previous films are available in...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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