Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2016: #5. Mia Hansen-Løve’s Things to Come

Things to Come Director: Mia Hansen-Løve Writer: Mia Hansen-Løve With four features under her belt, French director Mia Hansen-Løve has become a prolific auteur, following the success...

Top 100 Most Anticipated Foreign Films of 2016: #6. Pedro Almodovar’s Julieta

Julieta Director: Pedro Almodovar Writer: Pedro Almodovar Spanish auteur Pedro Almodovar returns to high drama with Julieta following the sillier escapades of 2013's I'm So Excited. Showcasing...

Top 100 Most Anticipated Foreign Films of 2016: #7. Juan Antonio Bayona’s A Monster Calls

A Monster Calls Director: J.A. Bayona Writer: Patrick Ness Spanish director Juan Antonio Bayona adapts Patrick Ness' celebrated children's book A Monster Calls for his third feature....

Top 100 Most Anticipated Foreign Films of 2016: #8. Miroslav Slaboshpitsky’s Luxembourg

Luxembourg Director: Miroslav Slaboshpitsky Writer: Miroslav Slaboshpitsky Ukrainian director Miroslav Slaboshpitsky's debut, The Tribe, was one of the best theatrical releases of the past year, documenting the...

Top 100 Most Anticipated Foreign Films of 2016: #9. Cristian Mungiu’s Family Photos

Family Photos Director: Cristian Mungiu Writer: Cristian Mungiu It's already been four years since Romanian auteur's last film, the superb Beyond the Hills in 2012---and that's the...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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