Exclusive articles:
The Well | 2014 Los Angeles Film Festival Review
Hell’s Wells: Hammock’s Debut an Elementary Genre Piece
Environmentally defined dystopias can either be beneficent, as regards a film’s budget, or an incredible boon, generally...
The Signal | Review
Scrambled Transmission: Eubank’s Sophomore Effort Relies on Visual Strengths
William Eubank expands his brand of cerebral sci-fi with sophomore effort, The Signal, following up from...
Violette | 2014 Los Angeles Film Festival Review
Portrait of an Artist: Provost’s Examination a Showcase for Devos
Continuing with the resuscitation of another female artist, which was the subject of his 2008...
The Moment | Review
War Story: Weinstock’s Sophomore Feature Rides on Leigh’s Laurels
Unveiling her first film since her 2003 debut, Easy, director Jane Weinstock’s latest, The Moment, is an intriguing...
Third Person | Review
World Crash: Haggis Overextends His Usual Formula
Two’s company, three’s a crowd. Or so the saying goes. Further beating the interrelated/intersecting characters and multiple storyline...
