Exclusive articles:
Exit Elena | Review
A Room of One’s Own: Nathan Silver’s Uncomfortable Familial Exploration
Compelling, observant, and uncomfortably funny, Nathan Silver’s latest feature, Exit Elena, is pleasant surprise, a...
Just Like a Woman | Review
Female Trouble: Bouchareb’s Understated First Chapter in Arab-American Trilogy
Algerian filmmaker Rachid Bouchareb, perhaps most widely recognized for his films Outside the Law (2010) and...
I’m So Excited | Review
Music Make You Lose Control: Almodovar’s Return to High Camp Shenanigans
Fans of Pedro Almodovar’s early works, like Dark Habits and Women on the Verge...
Museum Hours | Review
Images in Isolation: Cohen’s Meditative Hybrid Explores Time and Existence
Documentary filmmaker Jem Cohen makes his first attempt at a narrative piece with Museum Hours,...
100 Bloody Acres | Review
At Any Price: Aussie Horror Comedy Predictable, Maintains Interest
Content with delivering an overly familiar comedy-horror scenario even as it seems committed to bringing both...
