Exclusive articles:
Kuma | Review
Two’s Company: Dag’s Extraordinary Debut Perversely Compelling
Like Feo Aladag’s 2010 harrowing debut, When We Leave, Austrian-Kurdish director Umat Dag’s first film, Kuma, examines the...
Feed Me With Your Words | Review
Holy Strokes!: Turk’s Debut Loses Its Appetite
Born out of a collaboration with the Torino Film Lab comes Martin Turk’s feature directorial debut, Feed Me...
Mushrooming | Review
Scandal Sheet: An Odd, Disjointed Look at Estonia’s Political Climate
Estonian director Toomas Hussar makes his screen debut with Mushrooming, a sort of political satire,...
Folman’s The Congress Opens Directors’ Fortnight
Yesterday's glaring omission from the Cannes lineup will be the opening film for the Directors’ Fortnight. Edouard Waintrop has nabbed Ari Folman’s The Congress,...
The Lords of Salem | Review
Burn, Witch, Burn: Zombie Conquers His Cross to Bear
Don’t be so sure of what to expect when walking into Rob Zombie’s latest feature, The...
