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White Noise | Review
November 25, 2022Death Wishes: Baumbach Dons DeLillo’s Satirical Death March The characters anchoring the existential narrative of White...
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Bones and All | Review
November 23, 2022All the Fine Young Cannibals: Guadagnino Crafts Grisly, Devouring Love Story “It’s amazing what you can...
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All the Beauty and the Bloodshed | Review
November 22, 2022The Nan Movie: Poitras Presents Ravages of the Opioid Crisis Through Portrait of an Artist Academy...
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The Fabelmans | Review
November 21, 2022All the Camera Allows: Spielberg Revisits Childhood in Semi-Autobiographical Portrait Evident in many of the titles...
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200 Meters | Review
November 17, 2022Faraway, So Close: Nayfeh Showcases Absurdity’s Segue to Tragedy in Meaningful Debut The ongoing conflict between...
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Eo | Review
November 16, 2022Donkey Skin: Skolimowski Restages Bresson for the Modern Age Robert Bresson’s 1966 film Au Hasard Balthazar...
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The Wonder | Review
November 14, 2022Power Surge: Lelio Ponders power and the profound in his latest which attempts to grapple with...
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Un Couple | Review
November 11, 2022A Human Voice: Wiseman Explores Catharsis and Suppression in Tranquil Soliloquy It’s no secret the Tolstoy...
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La caja (The Box) | Review
November 3, 2022Father Knows Best: Vigas Caps His Father/Son Trilogy with Blunt Brutality In his long-gestating follow-up to...
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Bardo, False Chronicle of a Handful of Truths | Review
November 1, 2022The Unexpected Virtue of Indulgence: Iñárritu Repeats Himself with Repetitive, Soulless Extravaganza “The pure and simple...