Clouds of Sils Maria
Director: Olivier Assayas
Writer: Olivier Assayas
Producers: Karl Baumgartner, Charles Gillibert, Thanassis Karathanos, Jean-Louis Porchet, Gérard Ruey
U.S. Distributor: IFC Films
Cast: Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Johnny Flynn, Lars Eidinger, Hanns Zischler, Brady Corbet
We’re among the clan that think that 2008’s Summer Hours turned out to be a seminal film for Olivier Assayas and it’s a reteaming with the illustrious Juliette Binoche, who in this second time out, basically challenged her fellow Parisian to write, and then direct, a female character study that truthfully might be her most chiseled part in ages. An estrogen-filled, possibly Bergmanesque project on paper, we get the hunch that this not only deals with ageism and a certain level-minded jealousy of youth, but it’s a punk rock interpretation of an actresses’ shelf-life.
Gist: At the peak of her international career, Maria Enders (Juliette Binoche) is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant (Kristen Stewart) to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal (Chloë Grace Moretz) is to take on the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself.
Release Date: Filming took place last August, and seeing that Assayas and Binoche are synonymous with the Cannes Film Festival, there is not doubt that Thierry Frémaux has been eyeing this as a Main Comp title. IFC Films will likely bring this over to TIFF and/or NYFF in the fall.
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