2012 Vanguard Section: Peaches, Jesper Ganslandt, Soi Cheang and Peter Strickland Make the Cut

Easily the section that this journalist feels the most at home with, this year’s Vanguard section (programmed by such folk, among others Scandi-discoverer Steve Gravestock, Asian fare specialist Giovanni Fulvi and Latin Europe/American know it all Diana Sanchez) includes the highly anticipated first time offerings from gender-bender singer Peaches (Peaches Does Herself Peaches), Mexico’s Juan Carlos Medina (Painless) and Ben Drew (iLL Manors) along with auteurs we appreciate in Jesper Ganslandt (see pic above of Venice preemed Blondie), Soi Cheang (Motorway) and Peter Strickland (Berberian Sound Studio) along with the English language remake of Pusher and Adrian Garcia Bogliano who comes to TIFF packing a pair of items with The ABCs of Death and in this section, Here Comes the Devil. Comprised of 14 film items which includes a trio of Cannes shown Room 237 , Sightseers and The We and the I. Here’s the complete listing below:

90 Minutes Eva Sørhaug, Norway World Premiere
Director Eva Sørhaug (Cold Lunch) reveals the rage and violence lurking beneath seemingly tranquil domesticity in her bold and uncompromising sophomore feature.

Beijing Flickers Zhang Yuan, China World Premiere
Beneath Beijing’s dazzling economic boom exists the downtrodden and the forgotten “little” people who bear the weight of life’s trials and injustices.

Berberian Sound Studio Peter Strickland, United Kingdom North American Premiere
Set in 1976: Gilderoy is hired to orchestrate the sound mix for the latest film by Italian horror maestro, Santini. As time and realities shift, Gilderoy is lost in a spiral of sonic and personal mayhem, and has to confront his own demons in order to stay afloat.

Blondie Jesper Ganslandt, Sweden North American Premiere
Three sisters, all adrift and in crisis, reunite at their childhood home as their domineering mother arranges a big birthday. But as the festivities come to an end, repressed conflicts rise to the surface. Old wounds are opened and a new family is born.

Here Comes the Devil Adrian Garcia Bogliano, Mexico/Argentina World Premiere
On a family vacation, a couple’s son and daughter disappear while exploring a cave-riddled mountainside. The children eventually return home seemingly unharmed, but are withdrawn and devoid of emotion. The parents fear they have fallen prey to something inhuman — and that this dark evil has come home with them.

iLL Manors Ben Drew, United Kingdom International Premiere
iLL Manors is the highly anticipated directorial debut by pioneering British music artist Ben Drew (a.k.a. Plan B). A unique crime thriller set on the unforgiving streets of London, iLL Manors follows six disparate lives, all struggling to survive the circles of violence that engulf them. Narratively linked through original music from Plan B, the film is a visually stunning and emotionally impactful experience laced with street-wise humour. The film’s soundtrack just topped the U.K.’s album chart.

Motorway Soi Cheang, Hong Kong North American Premiere
A cocky young cop on the city’s top-secret, high-speed pursuit squad must learn the tricks of the trade from a grizzled veteran (Hong Kong action star Anthony Wong) as he prepares to take down a getaway driver in this super-charged, high-octane thriller from Hong Kong action auteur Soi Cheang (Accident) and legendary producer Johnnie To.

Painless Juan Carlos Medina, Spain/France/Portugal World Premiere
At the dawn of the Spanish civil war, a group of children insensitive to pain is locked in a sanatorium in the heart of the Pyrénées. In the present day, brilliant neurosurgeon David Martel discovers that he has a tumor and starts searching for his biological parents, in order to get the bone marrow transplant necessary for his survival. During his quest, he will exhume terrifying secrets about his origins, reanimate ghosts of his country and confront Berkano, the only fateful survivor of the insensitive children. From the writer of [Rec].

Peaches Does Herself Peaches, Germany World Premiere
On the advice of a 65-year-old stripper, Peaches makes music that is sexually forthright. Her popularity grows and she becomes what her fans expect her to be: transsexual. She falls in love with a beautiful she-male, but Peaches gets her heart broken and has to realize who she really is. Described as an anti-jukebox musical. Peaches writes, directs and plays the role of Peaches herself.

Pusher Luis Prieto, United Kingdom North American Premiere
As edgy and explosive as Nicolas Winding Refn’s (Drive) 1996 cult classic, this English language remake tells the story of a week in the life of Frank, a big time drug pusher in London. Frank’s life is a fun-filled rollercoaster ride that spins out of control. Friendships start to vanish, there is no longer room for love within his life, and violence takes over. Danger and chaos ensue, and eventually Frank is left with no one to turn to and nowhere to go.

Room 237 Rodney Ascher, USA Canadian Premiere
Room 237 fuses fact and fiction through interviews with ardent fans convinced they have decoded Stanley Kubrick’s The Shining’s secret messages regarding genocide, government conspiracy, and the nightmare that we call history. Ideas of five devotees of the film are braided together in a kaleidoscopic deconstruction of the horror classic.

Sightseers Ben Wheatley, United Kingdom North American Premiere
Chris (Steve Oram) wants to show Tina (Alice Lowe) his world and he wants to do it his way: on a journey through the British Isles in his beloved Abbey Oxford caravan. Erotic odyssey… Killing spree… Caravanning holiday… The trip taken by Tina and Chris in Sightseers is all these things and more.

Thale Aleksander Nordaas, Norway Canadian Premiere
Two crime-scene cleaners discover a mythical, tailed female creature in a concealed cellar. She never utters a word, unable to tell her story, but the pieces of the puzzle soon come together: she’s been held captive for decades for reasons soon to surface.

The We and the I Michel Gondry, USA North American Premiere
It’s the last day of the year at a high school in the Bronx, and students pile on to the usual bus home. The raucous bunch of aggressive and superficial teens — the bullies and the bullied — develops and is transformed as the bus empties. Relationships become closer and more personal between students with absolutely nothing in common.